Showing posts with label Sci-fi. Show all posts
Showing posts with label Sci-fi. Show all posts

Friday, November 22, 2019

Mad Max: Fury Road (2015)

The Emperor Has No Clothes

⋆☆☆☆☆

½ Star; MPAA Rating: R
Director: George Miller

Porn film formula:
Nonstop full nudity with raw unsimulated sex acts, tied together with little more than a few patches of duct tape, a half foot of baling wire and the producer's wad of old chewing gum for a story. Overload it with closeups of raw sex acts and the buyers of it won't see there's no plot (nor will they care). It sells DVDs by the rail car load.

Formula for some current Hollywood action films:
Use porn film formula. Substitute the raw sex with spectacular stunts, copious quantities of GFX and VFX, and cause permanent hearing loss  inducing tinnitus with the SFX, all at a nonstop ADHD breakneck pace. Make it spectacular and loud enough with a fast enough pace and the audiences won't realize there's no plot with any substance. It sells tickets by the theater load and popcorn in 5 gallon buckets by the rail car load.

So now we have the latest Mad Max movie, "Fury Road," using the Hollywood action film formula outlined above. It's little more than a two hour extended chase scene. There's just barely enough miniscule plot to launch and maintain the chase; less baling wire holding it together than the car they're using. Forget about story depth or character development. It's all about sensory numbing overload, including giving you permanent tinnitus. Take a good dose of Ritalin before watching and you might realize the emperor has no clothes. The original Mad Max had a real plot that provided background and character development that gave cause to care about the anti-hero. Its two sequels extended the original premise and further developed the Mad Max character. "Fury Road" does none of that. Why is it even called a "Mad Max" movie? The Max anti-hero has been reduced to supporting role, with the lead taken by a new character, "Furiousa." Should have been titled "Furiousa: Fury Road" which would be much more accurate. Oh, but wait, the studio and producers wouldn't be able to sell as many tickets as they could by invoking a past franchise's name recognition, so they add a "Max" supporting character and call it a "Mad Max" movie!

Buy or rent the original trilogy movies with (a very young) Mel Gibson and watch them. They contain substantially greater depth in their stories and principal character development. "Fury Road" gets ½ star because it's not the worst movie I've ever seen, which would get 0 stars.

Jurassic World (2015)

Behemoth Dinosaurs with Pea-Size Brains
Gargantuan Special Effects with Pea-Size Plot Originality
★☆☆☆☆

1 Star; MPAA Rating: PG-13
Director: Colin Trevorrow


The Jurassic Park franchise joins the ranks of the Paranormal Activity, Final Destination and Saw franchises in completely wearing out its formulaic plot until it's threadbare. The original directed by Spielberg with its story adapted from the Crichton novel was a creative achievement. Number four is neither creative nor original. It does nothing whatsoever to advance the original premise or further the story.  Pull out the original script, list its major plot points, characters and plot devices used, put new window dressing on it for a screenplay, crank it out in time for a Summer release, and wow audiences with a spectacular display of current technology visual and sound special effects. The strategy is maintaining sensory overload with the action and special effects at a continuous breakneck pace so the audience doesn't have any respite to realize there's absolutely nothing original in the plot. I'm dismayed Spielberg is one of the executive producers. I would have washed my hands of it until there was something creatively  original to further the Jurassic Park franchise story line.

The first two sequels were weak compared to the Spielberg original, and now there's a third Jurassic Park sequel that contains nothing new. They've been completely formulaic including this one: Dinosaurs on the loose dramatically munching up the people left and right who deserve a gruesome end for one karmic reason or another, all because a clueless moron ignores all the likely consequences for personal scientific glory or greed and does something incredibly stupid that eventually turns them loose. Let's not forget about the kids who need to be rescued, an estranged couple that need to be reconciled with each other, and an ending that has an obvious setting for yet another Jurassic Park movie. Compare the Jurassic Park franchise to Sam Raimi's Spiderman trilogy, or Christopher Nolan's Batman trilogy, or the Iron-Man trilogy, or George Lucas' Star Wars franchise, or even the live action series of Resident Evil movies. All of those franchises have sequels that build on the original movie with with original, creative story and principal character development. Just like its behemoth dinosaurs with pea-size brains, Jurassic World has magnificently impressive special effects and ADHD non-stop action on a gargantuan scale, with pea-size originality.

Rent the first Jurassic Park directed by Spielberg, or buy it used, and watch it instead (I recommend it over the first two sequels). Afterward you won't need to see this one. You'll have already seen it. I'm extremely disappointed with Jurassic World, the Jurassic Park franchise, and with Steven Spielberg as its producer. All three sequels have been great opportunity badly squandered. One star because at least it's got a little more character development than the latest Mad Max movie.

Nosferatu, a Symphony of Horror (1922)

Classic F.W. Murnau Silent Era German Expressionist Film ★★★★★ 5 Stars; MPAA Rating: Unrated Director: F.W. Murnau   The Grandfather ...